Octavia Butler on creativity, the generative power of our obsessions, and how we become who we are

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If you already donate: I appreciate you more than you know. [FROM THE ARCHIVE | Octavia Butler on Creativity, the Generative Power of Our Obsessions, and How We Become Who We Are]( After the glorious accident of having been born at all, there are myriad ways any one life could be lived. The lives we do live are bridges across the immense river of possibility, suspended by two pylons: what we want and what we make. In an ideal life — a life of purpose and deep fulfillment — the gulf of being closes and the pylons converge: We make what we want to see exist. This interplay is what Octavia Butler (June 22, 1947–February 24, 2006) explores throughout [Parable of the Talents]( ([public library]( — the second part of her oracular Earthseed allegory, which also gave us Butler’s acutely timely wisdom on [how (not) to choose our leaders](. Octavia Butler by Katy Horan from [Literary Witches]( — an illustrated celebration of women writers who have enchanted and transformed our world. More than a century after Walt Whitman — another rare seer of truths elemental and eternal, another poetic prophet of the world to come, who made what he wanted to see exist and in making it helped bring that world about — wrote that [“there is, in sanest hours, a consciousness, a thought that rises, independent, lifted out from all else, calm, like the stars, shining eternal,”]( Butler writes: Self is. Self is body and bodily perception. Self is thought, memory, belief. Self creates. Self destroys. Self learns, discovers, becomes. Self shapes. Self adapts. Self invents its own reasons for being. To shape God, shape Self. […] All prayers are to Self And, in one way or another, All prayers are answered. Pray, But beware. Your desires, Whether or not you achieve them Will determine who you become. Butler’s sentiment is only magnified by knowing that the word desire derives from the Latin for “without a star,” radiating a longing for direction. It is by wanting that we orient ourselves in the world, by finding and following our private North Star that we walk the path of becoming. Artist Margaret C. Cook’s illustration for [a rare 1913 edition]( of Walt Whitman’s Leaves of Grass. (Available [as a print]( To become, of course, is no easy task — to become, that is, what you yourself desire to be, without mistaking your culture’s or your idols’ or your lover’s desires for your own. E.E. Cummings knew this when he wrote half a century before Butler that [“to be nobody-but-yourself — in a world which is doing its best, night and day, to make you everybody else — means to fight the hardest battle which any human being can fight.”]( You win the fight, Butler intimates, by the clarity of your purpose and the perseverance with which you pursue it: If you want a thing — truly want it, want it so badly that you need it as you need air to breathe, then unless you die, you will have it. Why not? It has you. There is no escape. What a cruel and terrible thing escape would be if escape were possible. To want what you want so fiercely, to love it so absolutely, is not a personal indulgence in hubris or delusion — it is, Butler affirms, the mightiest antidote to the terrors of being alive and, in consequence, the fuel for your most generous contribution to the world: Love quiets fear. And a sweet and powerful Positive obsession Blunts pain, Diverts rage, And engages each of us In the greatest, The most intense Of our chosen struggles. Enlivening as this notion might be, even more enlivening is its manifestation in the shared struggle — for at its best, the art born of these private obsessions in the crucible of the Self goes on to touch other Selves, dissolving the isolating illusion of separateness and aloneness to furnish, in Iris Murdoch’s lovely phrase, [“an occasion for unselfing.”]( Butler first posited the notion of “positive obsession” in [Parable of the Talents]( ([public library]( — the first part of her Earthseed allegory — placing it at the heart of genius: Prodigy is, at its essence, adaptability and persistent, positive obsession. Without persistence, what remains is an enthusiasm of the moment. Without adaptability, what remains may be channeled into destructive fanaticism. Without positive obsession, there is nothing at all. Complement with James {NAME} on [the relationship between talent and persistence]( Nick Cave on [the importance of trusting yourself]( and Lucille Clifton on [the balance of intellect and intuition in creative work]( then revisit Butler’s [advice on writing](. [Forward to a friend]( Online]( [Like on Facebook]( donating=loving This year, I spent thousands of hours and tens of thousands of dollars keeping The Marginalian going. For seventeen years, it has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, not even an assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider aiding its sustenance with a one-time or loyal donation. 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KINDRED READINGS: [Octavia Butler on the Meaning of God]( * * * [May Sarton on How to Cultivate Your Talent]( * * * [Octavia Butler’s Advice on Writing]( * * * A SMALL, DELIGHTFUL SIDE PROJECT: [Uncommon Presents from the Past: Gifts for the Science-Lover and Nature-Ecstatic in Your Life, Benefitting the Nature Conservancy]( [---]( You're receiving this email because you subscribed on TheMarginalian.org (formerly BrainPickings.org). This weekly newsletter comes out each Wednesday and offers a hand-picked piece worth revisiting from my 15-year archive. The Marginalian MAIL NOT DELIVERED 47 Bergen Street, 3rd FloorBrooklyn, NY 11201 [Add us to your address book]( [unsubscribe from this list](   [update subscription preferences](