Newsletter Subject

Every loss reveals what we're made of: The fascinating science of why leaves change color and the ongoing mystery of chlorophyll

From

brainpickings.org

Email Address

newsletter@brainpickings.org

Sent On

Wed, Oct 25, 2023 09:43 PM

Email Preheader Text

NOTE: This newsletter might be cut short by your email program. . If a friend forwarded it to you

NOTE: This newsletter might be cut short by your email program. [View it in full](.  If a friend forwarded it to you and you'd like your very own newsletter, [subscribe here]( — it's free.  Need to modify your subscription? You can [change your email address]( or [unsubscribe](. [The Marginalian]( [Welcome] Hello {NAME}! This is the midweek edition of [The Marginalian]( by Maria Popova — one piece resurfaced from the sixteen-year archive as timeless uplift for heart, mind, and spirit. If you missed last week's archival resurrection — Nobel laureate Louise Glück's love poem to life at the horizon of death — you can catch up [right here](. And if my labor of love enriches your life in any way, please consider supporting it with a [donation]( — it remains free and ad-free and alive thanks to reader patronage. If you already donate: I appreciate you more than you know. [FROM THE ARCHIVE | Every Loss Reveals What We Are Made of: Blue Bananas, Why Leaves Change Color, and the Ongoing Mystery of Chlorophyll]( Autumn is the season of ambivalence and reconciliation, soft-carpeted training ground for the dissolution that awaits us all, low-lit chamber for hearing more intimately the syncopation of grief and gladness that scores our improbable and finite lives — each yellow burst in the canopy a reminder that everything beautiful is perishable, each falling leaf at once a requiem for our own mortality and a rhapsody for the unbidden gift of having lived at all. That dual awareness, after all, betokens [the luckiness of death](. Art by Arthur Rackham, 1906. (Available [as a print]( But autumn is also the season of revelation, for the seeming loss unveils a larger reality: Chlorophyll is a life-force but it is also a cloak, and when trees shed it from their leaves, nature’s true colors are revealed. Photosynthesis is nature’s way of making life from light. Chlorophyll allows a tree to capture photons, extracting a portion of their energy to make the sugars that make it a tree — the raw material for leaves and bark and roots and branches — then releasing the photons at lower wavelengths back into the atmosphere. A tree is a light-catcher that grows life from air. Although the human mind has puzzled over why leaves fall and change color at least as far back as Aristotle, chlorophyll — which shares chemical kinship with the hemoglobin in our blood — was only discovered and named in 1817, by the French pharmacist-chemist duo Joseph Bienaimé Caventou and Pierre Joseph Pelletier. In a lovely touch of humility that distinguishes, always, the scientist from the explorer — the explorer, so eager to name the lands and landmarks he has “discovered” after himself — they wrote in their landmark paper: We have no right to name a substance long-known, and to the story of which we have added only a few facts; however, we will propose, without granting it any importance, the name chlorophyll, from chloros, color, and φυλλον, leaf: a name that would indicate the role it plays in nature. Red maple by Clarissa Munger Badger, who [inspired Emily Dickinson](. (Available as [a print]( and as [stationery cards]( benefitting The Nature Conservancy.) But chlorophyll, which is yet to be fully understood, is not the only pigment in trees. Throughout a leaf’s life, four primary pigments course through its cells: the green of chlorophyll, but also the yellow of xanthophyll, the orange of carotenoids, and the reds and purples of anthocyanins. In spring and summer, when the days grow long and bright, chlorophyll saturates leaves as the tree busies itself converting photons into the sweetness of new growth. As daylight begins fading in autumn and the air cools, deciduous trees prepare for [wintering]( and stop making food — an energy expenditure too metabolically expensive in the dearth of sunlight. Enzymes begin breaking down the decommissioned chlorophyll, allowing the other pigments that had been there invisibly all along to come aflame. And because we humans so readily see in trees [metaphors for our emotional lives]( how can this not be a living reminder that every loss reveals what we are made of — an affirmation of [the value of a breakdown]( Life and Loss Are One by Maria Popova. (Available [as a print]( and as [stationery cards]( benefitting The Nature Conservancy.) A similar process take place as fruit ripen from green to varying shades of red, purple, orange, or yellow. Two centuries after the discovery of chlorophyll, a new generation of scientists armed with a new arsenal of tools unimaginable in 1817, in that abiding way science has of [only revealing new layers of reality when it lets go of its assumptions]( placed bananas in various stages of ripeness [under UV light]( and discovered that as the world’s favorite yellow fruit ripens and its chlorophyll breaks down, it not only reveals the xanthophyll of yellow, but produces the chlorophyll catabolite hmFCC — a previously unknown blue fluorescent compound. Artwork based on laboratory imaging from Agewandte Chemie: A Journal of the German Chemical Society, international edition, 2008. Subsequent [research]( has found signs of this blue pigment in devil’s ivy — the evergreen golden pothos thriving in the corner of my library in Brooklyn at this very moment — rendering the mystery of chlorophyll ongoing and filling the human heart with exhilaration. How thrilling to think that something we discovered two centuries ago, something nature created more than a billion years ago when the first green plants evolved from prokaryotes, can still shimmer with mystery — a molecular microcosm of the ultimate thrill: the knowledge that however much we might uncover, nature will never cease to be filled with surprise ripe for the reaping. And how humbling to think that we too are animals doing their best to make sense of the world with their creaturely limitations — animals whose vision evolved to peak in so narrow a band of the spectrum, in the tiny wavelength range between red and violet, blind to everything between radio and cosmic rays, blind to ultraviolet light. But if we were butterflies or reindeer, bees or sockeye salmon, bananas might be blue. “Spectra of various light sources, solar, stellar, metallic, gaseous, electric” from [Les phénomènes de la physique]( by Amédée Guillemin, 1882. (Available [as a print]( and [as a face mask]( The poetic astronomer [Maria Mitchell]( captured this best in her rueful and rapturous observation that “we have a hunger of the mind which asks for knowledge of all around us, and the more we gain, the more is our desire,” and yet “we reach forth and strain every nerve, but we seize only a bit of the curtain that hides the infinite from us.” Complement with the late, great nature writer Ellen Meloy on [the conscience of color from chemistry to culture]( then revisit this fascinating read on [Turing, trees, and the science of how alive you really are](. [Forward to a friend]( Online]( [Like on Facebook]( donating=loving Each month, I spend hundreds of hours and thousands of dollars keeping The Marginalian going. For seventeen years, it has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, not even an assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider aiding its sustenance with a one-time or loyal donation. Your support makes all the difference. monthly donation You can become a Sustaining Patron with a recurring monthly donation of your choosing, between a cup of tea and a Brooklyn lunch.  one-time donation Or you can become a Spontaneous Supporter with a one-time donation in any amount. [Start Now]( [Give Now]( Partial to Bitcoin? You can beam some bit-love my way: 197usDS6AsL9wDKxtGM6xaWjmR5ejgqem7 Need to cancel an existing donation? (It's okay — life changes course. I treasure your kindness and appreciate your support for as long as it lasted.) You can do so [on this page](. KINDRED READINGS: [A Beginning, Not a Decline: Colette on the Splendor of Autumn and the Autumn of Life]( * * * [Between Restlessness and Rapture: Autumn and the Sensual Urgency of Aliveness]( * * * [The Poetic Science of the Ghost Pipe: Emily Dickinson and the Secret of Earth's Most Supernatural Flower]( * * * A SMALL, DELIGHTFUL SIDE PROJECT: [Uncommon Presents from the Past: Gifts for the Science-Lover and Nature-Ecstatic in Your Life, Benefitting the Nature Conservancy]( [---]( You're receiving this email because you subscribed on TheMarginalian.org (formerly BrainPickings.org). This weekly newsletter comes out each Wednesday and offers a hand-picked piece worth revisiting from my 15-year archive. The Marginalian MAIL NOT DELIVERED 47 Bergen Street, 3rd FloorBrooklyn, NY 11201 [Add us to your address book]( [unsubscribe from this list](   [update subscription preferences](

EDM Keywords (192)

yet yellow xanthophyll wrote world wintering wednesday way value unsubscribe tree treasure thrilling thousands think tea syncopation sweetness sustenance support summer sugars subscription subscribed story staff spring splendor spirit spectrum something seize secret season scores scientist science rueful roots role ripeness right rhapsody revisit revelation reveals restlessness requiem reminder releasing reds red receiving reaping really reality readers radio puzzled purples prokaryotes produces print portion plays pigments pigment photons perishable peak patronage partial orange one offers nature narrow named name mystery mortality month modify mind marginalian make made luckiness love loss long livelihood lived livable like life library leaves least leaf lasted lands landmarks labor knowledge know kindness journal ivy invisibly intimately interns infinite improbable importance hunger humility humbling humans hours horizon hides hemoglobin hearing grief green gladness give gain full forward filling filled explorer exhilaration everything even energy email earth eager donation dissolution discovery discovered devil desire death dearth curtain cup culture corner conscience color cloak choosing chlorophyll chemistry change cells catch carotenoids canopy cancel butterflies brooklyn branches blood bitcoin bit betokens best beginning become beam bark band autumn atmosphere assistant asks appreciate anthocyanins animals ambivalence also along aliveness alive affirmation added 1817

Marketing emails from brainpickings.org

View More
Sent On

05/06/2024

Sent On

02/06/2024

Sent On

29/05/2024

Sent On

26/05/2024

Sent On

22/05/2024

Sent On

19/05/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2024 SimilarMail.