NOTE: This newsletter might be cut short by your email program. [View it in full](.  If a friend forwarded it to you and you'd like your very own newsletter, [subscribe here]( â it's free.  Need to modify your subscription? You can [change your email address]( or [unsubscribe](. [The Marginalian]( [Welcome] Hello {NAME}! This is the midweek edition of [The Marginalian]( by Maria Popova â one piece resurfaced from the sixteen-year archive as timeless uplift for heart, mind, and spirit. If you missed last week's archival resurrection â Bob Dylan on vulnerability, the measure of integrity, and music as an instrument of truth â you can catch up [right here](. And if my labor of love enriches your life in any way, please consider supporting it with a [donation]( â it remains free and ad-free and alive thanks to reader patronage. If you already donate: You are among the kindhearted 1% making this available to the free-riding 99%, and I appreciate you more than you know. [FROM THE ARCHIVE | The Mirror of Enigmas: Chance, the Universe, and the Fragile Loveliness of Knowing Who We Are]( It takes a great sobriety of spirit to know your own depths â and your limits. It takes a special grandeur of spirit to know the limits of your self-knowledge. A recent brush with those limits reminded me of a short, stunning essay by Jorge Luis Borges (August 24, 1899âJune 14, 1986) titled âThe Mirror of Enigmas,â found in his [Labyrinths]( ([public library]( â the 1962 collection of stories, essays, and parables that gave us his timeless [parable of the divided self]( and his classic [refutation of time](. Titling the essay after St. Paulâs famous cryptic statement Videmus nunc per speculum in aenigmate â loosely translated as We now see through a mirror, enigmatically â Borges considers the tribe of thinkers who have perched their efforts to reconcile knowledge and mystery, the scientific and the spiritual, on the assumption that âthe history of the universe â and in it our lives and the most tenuous detail of our lives â has an incalculable, symbolical value.â With his characteristic poetic precision, he condenses this common and somewhat tired hypothesis: The outer world â forms, temperatures, the moon â is a language humans have forgotten or which we can scarcely distinguish. No one, Borges argues, has taken this precarious hypothesis to more surefooted ground than the French novelist, poet, and philosophical pamphleteer Léon Bloy (July 11, 1846âNovember 3, 1917). Digging through the surviving fragments of Bloyâs written thought, he surfaces a passage emblematic of Bloyâs uncommon physics of the metaphysical â an 1894 passage fomented by his interest in the teachings of St. Paul. Translated by Borges himself, Bloy writes: [St. Paulâs statement] would be a skylight through which one might submerge himself in the true Abyss, which is the soul of man. The terrifying immensity of the firmamentâs abyss is an illusion, an external reflection of our own abysses, perceived âin a mirror.â We should invert our eyes and practice a sublime astronomy in the infinitude of our heart⦠If we see the Milky Way, it is because it actually exists in our souls. Art from Thomas Wrightâs [An Original Theory or New Hypothesis of the Universe]( 1750 â the first book to describe the spiral shape of the Milky Way. (Available as [a print]( A century before Milan Kundera considered [the eternal challenge of knowing what we really want]( in his classic novel The Unbearable Lightness of Being, Bloy shines a sidewise gleam on the elemental self-opacity with and within which we live: Everything is a symbol, even the most piercing pain. We are dreamers who shout in our sleep. We do not know whether the things afflicting us are the secret beginning of our ulterior happiness or not. These ideas haunted Bloy, animated his pamphlets, his poems, his novels, then culminated in his 1912 book-length essay [The Soul of Napoleon]( â a philosophical prose poem that sets out, as Borges puts it, âto decipher the symbol Napoleon, considered as the precursor of another hero â man and symbol as well â who is hidden in the future.â Bloy, translated again by Borges, writes in this uncommon work: Every man[*]( is on earth to symbolize something he is ignorant of and to realize a particle or a mountain of the invisible materials that will serve to build the City of God. [â¦] There is no human being on earth capable of declaring with certitude who he is. No one knows what he has come into this world to do, what his acts correspond to, his sentiments, his ideas, or what his real name is, his enduring Name in the register of Light⦠History is an immense liturgical text where the iotas and the dots are worth no less than the entire verses or chapters, but the importance of one and the other is indeterminable and profoundly hidden. But as you contemplate these existential immensities, you face the limits of contemplation â the limits of meaning-making in relation to elemental truth. Borges recognized this, closing the essay with by acknowledging âit is doubtful that the world has a meaning⦠even more doubtful that it has a double or triple meaning.â I recognized this upon sitting down in for morning meditation in my garden after a nightlong storm and watching an almost otherworldly deposit roll onto the cushion: a tiny, perfect robin egg, improbable and sorrowful in its displaced blue beauty. Singing Only Is by Maria Popova. (Available [as a print]( I considered climbing the neighborâs colossal tree to find the storm-shaken nest and reinstate the egg. (Perfectly, the tree is an Ailanthus altissima, known as âtree-of-heavenâ in its native China â a migrant now rooted in Brooklyn, like me.) But then I considered this chance-event as the product of the same impartial forces that deposited the exact spermatozoid of my fatherâs onto my motherâs ovum at the exact moment to produce the chance-event of my particular configuration of atoms animated by this particular consciousness that just is, the consciousness mourning the robin that will never be. To call one expression of chance good and another bad is mere human hubris â the hubris of narrative and interpretation superimposed on an impartial universe devoid of why, awash in is. No one knows the meaning of why anything comes to be, or doesnât. Here is this pale blue orb, dropped from the tree-of-heaven onto a tiny Brooklyn point on the face of this Pale Blue Dot, itself a [âmote of dust suspended in a sunbeamâ]( within an immense and impartial universe, conceived in the creation myths and early scientific theories of our meaning-hungry ancestors as a great cosmic egg. Art from [An Original Theory or New Hypothesis of the Universe]( 1750, illustrating Thomas Wrightâs model of the cosmos as an egg-like structure of nested infinities. (Available as [a print]( Here I am, and here you are, and here is the robinâs egg in its near-life collision with chance. To ask for its meaning is as meaningless a question as to demand the meaning of a color or the meaning of a bird. On this particular day, at this particular moment â the only locus of aliveness we ever have â the contour of meaning comes in shades of blue, singing only is. [Forward to a friend]( Online]( [Like on Facebook]( donating=loving
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KINDRED READINGS: [Singularity: Marie Howe's Ode to Stephen Hawking, Our Cosmic Belonging, and the Meaning of Home, in a Stunning Animated Short Film]( * * * [A New Refutation of Time: Borges on the Most Paradoxical Dimension of Existence]( * * * [The Doom and Glory of Knowing Who You Are: James {NAME} on the Empathic Rewards of Reading and What It Means to Be an Artist]( * * * A SMALL, DELIGHTFUL SIDE PROJECT: [Uncommon Presents from the Past: Gifts for the Science-Lover and Nature-Ecstatic in Your Life, Benefitting the Nature Conservancy]( [---]( You're receiving this email because you subscribed on TheMarginalian.org (formerly BrainPickings.org). This weekly newsletter comes out each Wednesday and offers a hand-picked piece worth revisiting from my 15-year archive.
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