Midweek pick-me-up: Albert Camus on the 3 antidotes to the absurdity of life

NOTE: This newsletter might be cut short by your email program. [View it in full](.  If a friend forwarded it to you and you'd like your very own newsletter, [subscribe here]( — it's free.  Need to modify your subscription? You can [change your email address]( or [unsubscribe](. [Brain Pickings]( [Welcome] Hello, {NAME}! This is the Brain Pickings midweek pick-me-up: Once a week, I plunge into my 12-year archive and choose something worth resurfacing and resavoring as timeless nourishment for heart, mind, and spirit. (If you don't yet subscribe to the standard Sunday newsletter of new pieces published each week, you can sign up [here]( – it's free.) If you missed last week's edition – Mary Oliver on the greatest antidote to sorrow and how books saved her life – you can catch up [right here](. And if you find any value and joy in my labor of love, please consider supporting it with a [donation]( – over these twelve years, I have spent tens of thousands of hours and tremendous resources on Brain Pickings, and every little bit of support helps keep it going. If you already donate: THANK YOU. [FROM THE ARCHIVE | Albert Camus on the Three Antidotes to the Absurdity of Life]( [albertcamus_essays.jpg?fit=263%2C388]( What an astrophysicist might have the perspective to eulogize as [“the incredibly improbable trip that we’re on”]( the rest of us might, and often do, experience as simply and maddeningly absurd — so uncontrollable and incomprehensible as to barely make sense. What are we to make of, and do with, the absurdity of life that swarms us daily? Oliver Sacks believed that [“the most we can do is to write — intelligently, creatively, evocatively — about what it is like living in the world at this time.”]( And yet parsing the what-it-is-like can itself drive us to despair. Still, parse we must. More than a decade before Albert Camus (November 7, 1913–January 4, 1960) became the second-youngest laureate of the Nobel Prize in Literature, [awarded]( him for work that “with clear-sighted earnestness illuminates the problems of the human conscience in our times,” he contemplated the relationship between absurdity and redemption in a 1945 interview by the French journalist Jeanine Delpech, included at the end of his [Lyrical and Critical Essays]( ([public library]( — the superb posthumous collection that gave us Camus on [how to strengthen our character in difficult times]( and [happiness, despair, and the love of life](. [albertcamus.jpg?resize=680%2C457] Albert Camus Three years before the interview, twenty-eight-year-old Camus had stunned the world with his revolutionary philosophical essay The Myth of Sisyphus, which begins with [one of the most powerful opening sentences in all of literature]( and explores the paradox of the absurd in life. “I draw from the absurd three consequences, which are my revolt, my freedom, and my passion,” he [writes]( — something that prompted his interviewer to ask whether a philosophy predicated on absurdity might incline people to despair. Camus — who years earlier had asserted that [“there is no love of life without despair of life”]( — answers: [2e292385-dc1c-4cfe-b95e-845f6f98c2ec.png]All I can do is reply on my own behalf, realizing that what I say is relative. Accepting the absurdity of everything around us is one step, a necessary experience: it should not become a dead end. It arouses a revolt that can become fruitful. An analysis of the idea of revolt could help us to discover ideas capable of restoring a relative meaning to existence, although a meaning that would always be in danger. Speaking at the close of the meaningless brutality of World War II, six years before he formulated his ideas on [solidarity and what it really means to be a rebel]( Camus considers the only act of courage and rebellion worth undertaking: [2e292385-dc1c-4cfe-b95e-845f6f98c2ec.png]In a world whose absurdity appears to be so impenetrable, we simply must reach a greater degree of understanding among men, a greater sincerity. We must achieve this or perish. To do so, certain conditions must be fulfilled: men must be frank (falsehood confuses things), free (communication is impossible with slaves). Finally, they must feel a certain justice around them. I have often wondered whether Camus had read W.H. Auden’s poem [“September 1, 1939,”]( written in 1940, which includes this searing stanza so kindred to Camus’s sentiment: [2e292385-dc1c-4cfe-b95e-845f6f98c2ec.png]All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Complement this particular fragment of Camus’s endlessly rewarding [Lyrical and Critical Essays]( with Albert Einstein on [our mightiest counterforce against injustice]( and Naomi Shihab Nye on [choosing kindness over fear]( then revisit Camus’s abiding ideas on [happiness, unhappiness, and our self-imposed prisons]( [the most important question of existence]( [the lacuna between truth and meaning]( and the [touching letter of gratitude]( he sent to his boyhood teacher shortly after receiving the Nobel Prize. [Forward to a friend]( Article Online]( [Like on Facebook]( donating=loving I pour tremendous time, thought, heart, and resources into Brain Pickings, which remains free and ad-free, and is made possible by patronage. If you find any joy, stimulation, and consolation in my labor of love, please consider supporting it with a donation. And if you already donate, from the bottom of my heart: THANK YOU. monthly donation You can become a Sustaining Patron with a recurring monthly donation of your choosing, between a cup of tea and a Brooklyn lunch.  one-time donation Or you can become a Spontaneous Supporter with a one-time donation in any amount. [Start Now](  [Give Now]( RELATED READING: [A Stoic’s Key to Living with Presence: Seneca on Balancing the Existential Calculus of Time Spent, Saved, and Wasted]( [Create Dangerously: Albert Camus on the Artist as a Voice of Resistance and an Instrument of Freedom]( [How to Live to the Full While Dying: The Extraordinary Diary of Alice James, William and Henry James’s Brilliant Sister]( [---] You're receiving this email because you subscribed on Brain Pickings. This weekly newsletter comes out each Wednesday and offers a highlight from the Brain Pickings archives for a midweek pick-me-up. Brain Pickings NOT A MAILING ADDRESS 159 Pioneer StreetBrooklyn, NY 11231 [Add us to your address book]( [unsubscribe from this list](   [update subscription preferences](