NOTE: This newsletter might be cut short by your email program. [View it in full](.  If a friend forwarded it to you and you'd like your very own newsletter, [subscribe here]( â it's free.  Need to modify your subscription? You can [change your email address]( or [unsubscribe](. [The Marginalian]( [Welcome] Hello {NAME}! This is the midweek edition of [The Marginalian]( by Maria Popova â one piece resurfaced from the seventeen-year archive as timeless uplift for heart, mind, and spirit. If you missed last week's archival resurrection â the remarkable story behind Beethoven's "Ode to Joy" â you can catch up [right here](. And if my labor of love enriches your life in any way, please consider supporting it with a [donation]( â it remains free and ad-free and alive thanks to reader patronage. If you already donate: I appreciate you more than you know. [FROM THE ARCHIVE | The Healing Power of Gardens: Oliver Sacks on the Psychological and Physiological Consolations of Nature]( âI work like a gardener,â the great painter Joan Miró wrote in his meditation on [the proper pace for creative work](. It is hardly a coincidence that Virginia Woolf had her [electrifying epiphany about what it means to be an artist]( while walking amid the flower beds in the garden at St. Ives. Indeed, to garden â even merely to be in a garden â is nothing less than a triumph of resistance against the merciless race of modern life, so compulsively focused on productivity at the cost of creativity, of lucidity, of sanity; a reminder that we are creatures enmeshed with the great web of being, in which, as the great naturalist John Muir [observed]( long ago, âwhen we try to pick out anything by itself, we find it hitched to everything else in the universeâ; a return to what is noblest, which means most natural, in us. There is something deeply humanizing in listening to the rustle of a newly leaved tree, in watching a bumblebee romance a blossom, in kneeling onto the carpet of soil to make a hole for a sapling, gently moving a startled earthworm or two out of the way. Walt Whitman knew this when he [weighed what makes life worth living]( as he convalesced from a paralytic stroke: âAfter you have exhausted what there is in business, politics, conviviality, love, and so on â have found that none of these finally satisfy, or permanently wear â what remains? Nature remains; to bring out from their torpid recesses, the affinities of a man or woman with the open air, the trees, fields, the changes of seasons â the sun by day and the stars of heaven by night.â Illustration by Emily Hughes from [Little Gardener](. Those unmatched rewards, both psychological and physiological, are what beloved neurologist and author Oliver Sacks (July 9, 1933âAugust 30, 2015) explores in a lovely short essay titled âWhy We Need Gardens,â found in [Everything in Its Place: First Loves and Last Tales]( ([public library]( â the wondrous posthumous collection that gave us Sacks on [the life-altering power of libraries](. He writes: As a writer, I find gardens essential to the creative process; as a physician, I take my patients to gardens whenever possible. All of us have had the experience of wandering through a lush garden or a timeless desert, walking by a river or an ocean, or climbing a mountain and finding ourselves simultaneously calmed and reinvigorated, engaged in mind, refreshed in body and spirit. The importance of these physiological states on individual and community health is fundamental and wide-ranging. In forty years of medical practice, I have found only two types of non-pharmaceutical âtherapyâ to be vitally important for patients with chronic neurological diseases: [music]( and gardens. Oliver Sacks at the New York Botanical Garden. (Photograph by Bill Hayes from [How New York Breaks Your Heart]( Having lived and worked in New York City for half a century â a city âsometimes made bearable⦠only by its gardensâ â Sacks recounts witnessing natureâs tonic effects on his neurologically impaired patients: A man with Touretteâs syndrome, afflicted by severe verbal and gestural tics in the urban environment, grows completely symptom-free while hiking in the desert; an elderly woman with Parkinsonâs disease, who often finds herself frozen elsewhere, can not only easily initiate movement in the garden but takes to climbing up and down the rocks unaided; several people with advanced dementia and Alzheimerâs disease, who canât recall how to perform basic operations of civilization like tying their shoes, suddenly know exactly what to do when handed seedlings and placed before a flower bed. Sacks reflects: I cannot say exactly how nature exerts its calming and organizing effects on our brains, but I have seen in my patients the restorative and healing powers of nature and gardens, even for those who are deeply disabled neurologically. In many cases, gardens and nature are more powerful than any medication. Art by Violeta LopÃz and Valerio Vidali from [The Forest]( by Riccardo Bozzi More than half a century after the great marine biologist and environmental pioneer Rachel Carson asserted that [âthere is in us a deeply seated response to the natural universe, which is part of our humanity,â]( Sacks adds: Clearly, nature calls to something very deep in us. Biophilia, the love of nature and living things, is an essential part of the human condition. Hortophilia, the desire to interact with, manage, and tend nature, is also deeply instilled in us. The role that nature plays in health and healing becomes even more critical for people working long days in windowless offices, for those living in city neighborhoods without access to green spaces, for children in city schools, or for those in institutional settings such as nursing homes. The effects of natureâs qualities on health are not only spiritual and emotional but physical and neurological. I have no doubt that they reflect deep changes in the brainâs physiology, and perhaps even its structure. Illustration by Ashleigh Corrin from [Laylaâs Happiness]( by Mariahadessa Ekere Tallie. Complement this particular fragment of the altogether delicious [Everything in Its Place]( with naturalist Michael McCarthy on [nature and joy]( pioneering conservationist and Wilderness Act co-composer Mardy Murie on [nature and human nature]( and bryologist and Native American storyteller Robin Wall Kimmerer on [gardening and the secret of happiness]( then revisit Oliver Sacks on [nature and the interconnectedness of the universe]( [the building blocks of identity]( [the three essential elements of creativity]( and his [stunning memoir of a life fully lived](. [Forward to a friend]( Online]( on Facebook]( donating=loving
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KINDRED READINGS: [200 Years of Great Writers and Artists on the Creative and Spiritual Rewards of Gardening]( * * * [The Healing Power of Nature and Beauty: Florence Nightingale on Expediting Recovery from Illness and Burnout]( * * * [The Secret Life of Chocolate: Oliver Sacks on the Cultural and Natural History of Cacao]( * * * [Oliver Sacks on the Three Essential Elements of Creativity]( * * * ALSO [THE UNIVERSE IN VERSE BOOK]( [---]( You're receiving this email because you subscribed on TheMarginalian.org (formerly BrainPickings.org). This weekly newsletter comes out each Wednesday and offers a hand-picked piece worth revisiting from my 15-year archive.
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