Newsletter Subject

Behind the art selfie fad

From

bloombergbusiness.com

Email Address

noreply@mail.bloombergbusiness.com

Sent On

Mon, Jan 22, 2018 12:02 PM

Email Preheader Text

From Hi folks, it’s Brad. Internet users started doing something strange last week: po

[Bloomberg] [Fully Charged]( From [Bloomberg](   [FOLLOW US [Facebook Share]]([Twitter Share]( [SUBSCRIBE [Subscribe]](  Hi folks, it’s Brad. Internet users started doing something strange last week: posting selfies accompanied by famous works of art. It all sprang from the sudden popularity of something called the Google Arts & Culture app, which introduced a new feature that uses facial recognition to match a person’s likeness to a renowned painting that hangs in a museum around the world. The Google art app is actually a few years old. But the “Search with your selfie” feature, introduced in December, started catching on about a week ago, thanks in part to a [BuzzFeed article]( and some old-fashioned internet virality. There was a nice irony to the rapid spread of art selfies across the web. Just as Facebook [was pledging]( to move away from gaudy videos and streams of suffocating political commentary, here was Google coming to the rescue, giving everyone a reason to start posting pictures of themselves again. Google’s art project got its start in 2011, as the side venture of an Android marketer named Amit Sood, who was devoting his “20 percent time” at the company to exploring how to make art more accessible online. Sood grew up in Mumbai, where he says people reflexively thought of art “as a posh experience, and not something that was for me or for my people.” He wanted to change that. Sood initially approached 17 museums about collaborating on the project and later combined it with similar efforts inside Google. His group developed a robotic art camera that allows museums to make highly detailed images of their works and eventually enlisted over 1,500 museums in more than 70 countries. Two years ago, it introduced the smartphone app, which provides access to museums’ online collections, virtual reality tours and guides to artwork along particular themes, like black history and culture. The app was decently popular, but Sood says he knew it wasn’t exactly enrapturing users. “Everyone said, ‘This is great, but …’” he recalls. The challenge was to be not just educational but “simple and fun for people who are intimidated about even entering the art world.” Then in 2016, Sood [gave a presentation]( about the Google Arts & Culture project at the TED conference in Vancouver. His co-presenter, the French digital interaction artist Cyril Diagne, asked if he had ever thought of integrating selfies into the project. “Selfies are a bit narcissistic,” Sood recalls replying at first. “I just didn’t see the connection immediately.” Nevertheless, the pair included a nice gimmick in their presentation that they called the “portrait matcher,” automatically synchronizing the orientation of Diagne’s head with portraits in Google’s art database that exhibited similar posture. The TED audience loved it. Google engineers spent the next 20 months working on a more sophisticated version of the idea, using facial recognition software to compare characteristics of a user’s visage with similar ones in the portraits of Google’s art database. When they released the tool in December, Sood says he didn’t expect much to come from it. Well, last week the app zoomed to No. 1 on the Android and iOS app stores, and people used it to take more than 40 million selfies. Celebrities like [Kristen Bell](, [Ryan Seacrest](, [Kumail Nanjiani]( and [Jack Dorsey]( posted their art doppelgangers. Actress Minnie Driver managed to nail [a 100 percent match]( with Edvard Munch’s “The Scream.” One woman was matched with a portrait [of her own grandmother](. When I talked to Sood last Friday, he was exhausted from racing to roll out the feature in Canada, New Zealand and India, and was looking for broader lessons in his unexpected viral sensation. “You need to find simple ways to get people interested in art,” he says. “The people who are already committed to learning about art are going to take the time to come to your museums, to learn the academic articles. They are going to do it anyway. But that is a tiny part of the population. If you want to reach people like me, or at least how I used to be before, you have to find a reason for them to want to engage.” —[Brad Stone](mailto:bstone12@bloomberg.net)  And here’s what you need to know in global technology news Get ready for Amazon’s cashier-less convenience store. Amazon Go is set to open today in Seattle. This could be [the future of retail](, but our very own Spencer Soper is heartbroken over the absence of chili cheese dogs.  Twitter’s COO is in the running for SoFi chief. Anthony Noto is among the finalists [to take over]( the fast-growing online lender whose founder was ousted last fall.  To ICO or not to ICO? Startups around the world must weigh whether to raise money from venture capitalists or [exploit the ebullience]( for so-called initial coin offerings.  The blockchain could be more important than Bitcoin. In the New York Times Magazine, writer Steven Johnson explains [the real value]( underlying the Bitcoin bubble.    You received this message because you are subscribed to the Bloomberg Technology newsletter Fully Charged. You can tell your friends to [sign up here](.  [Unsubscribe]( | [Bloomberg.com]( | [Contact Us]( Bloomberg L.P. 731 Lexington, New York, NY, 10022

Marketing emails from bloombergbusiness.com

View More
Sent On

20/07/2024

Sent On

19/07/2024

Sent On

19/07/2024

Sent On

19/07/2024

Sent On

19/07/2024

Sent On

18/07/2024

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2025 SimilarMail.