Newsletter Subject

Queer Eye, Shrill, Catastrophe, and Arrested Development are the four horsemen of the second Streamapocalypse

From

avclub.com

Email Address

newsletters@email.avclub.com

Sent On

Fri, Mar 15, 2019 08:07 PM

Email Preheader Text

Here's what's up in the world of TV. Here's what's up in the world of TV. Mar 15, 2019 12:00 AM Phot

Here's what's up in the world of TV. Here's what's up in the world of TV. [View this email in your browser]( [Queer Eye, Shrill, Catastrophe, and Arrested Development are the four horsemen of the second Streamapocalypse]( Mar 15, 2019 12:00 AM Photo: Christopher Smith/Netflix Here’s what’s happening in the world of television for Friday, March 15 and Saturday, March 16. All times are Eastern. Top picks [Queer Eye]( (Netflix, Friday): French-tuck in your shirts and grab a box of tissues: The Fab 5 are kicking off the return of [Streamapocalpyse]( gracing our screens to teach us all—yet again—how to cut avocados and to feel a little bit better about the human race in the process. This season, they’ve left their home base of Atalanta and turned their attention to Kansas City, as well as to a more diverse cast of “heroes.” Interior designer Bobby Berk hinted that unlike in the revival’s previous two seasons, this one will feature an even balance of men and women, joking in an interview with [Variety]( “No offense to men, but we have so much more fun with women.” We see no sign of favoritism in the heartwarming trailer, which demonstrates the tone of indiscriminate love and acceptance that made us fall in love with the revival last year. Also, [JVN]( reads to a bunch of lil’ campers, and it is very cute. --------------------------------------------------------------- [Shrill]( (Hulu, Friday): Based on [Lindy West’s memoir of the same name]( Shrill stars SNL’s Aidy Bryant as Annie, “a fat young woman who wants to change her life—but not her body.” Instead, a press release promises that the series will show Annie “trying to start her career while juggling bad boyfriends, a sick parent, and a perfectionist boss” (Hedwig And The Angry Inch’s [John Cameron Mitchell](. Also starring [Lolly Adefope]( Julia Sweeney, and Luka Jones, the series amalgamates the experiences of its all-female writing team (Bryant, West, and Ali Rushfield), demonstrating how they’re frequently perceived and treated differently because of their weight, and gives Annie a complex narrative and sense dignity that women who look like her historically haven’t been granted onscreen (if they’re given a place there at all). And with a creative team that includes the likes of Obvious Child director Gillian Robespierre, Portlandia’s Carrie Brownstein, and executive producers Lorne Michaels and Elizabeth Banks, Shrill looks pretty damn promising. In [her pre-air review]( Danette Chavez calls it “short, sweet, and full of potential,” noting that “Bryant and Shrill push beyond a slice-of-life comedy to set Annie on a compelling and hilarious journey.” --------------------------------------------------------------- [Catastrophe]( (Prime Video, Friday): Sharon and Rob didn’t exactly choose this life. They definitely weren’t prepared for it, and they probably aren’t suited for it. But over the course of three seasons, they’ve tried to make it work, and this fourth and final season of BAFTA-winning, Peabody and Emmy-nominated comedy series marks the end of their story. While Sharon ([Sharon Horgan]( reckons with not being quite as healthy as she imagined she was, Rob ([Rob Delaney]( pays for his accident by attending AA meetings, doing community service, and applying himself to his career—things made all the more difficult by his persistent self-loathing, alcoholism, and dissatisfaction with life. Notably, this season will also address [Carrie Fischer]( death through that of her character Mia. While the series [dedicated last season’s finale to Fischer]( who acted on the show throughout seasons one through tree, we can likely expect more of a tribute to the iconic actress at Mia’s funeral. Erik Adams will be on hand to offer [some losing thoughts.]( --------------------------------------------------------------- [Arrested Development]( (Netflix, Friday): We may not all have been happy to see the show return, but per [our review]( the revival finally (mostly) found its rhythm in the first part of its 5th season. The second half returns today with updates on the “smart” border wall development, a murder trail for Buster, run-ins with the gay mafia, and, apparently, Tobias becoming a “Golden Girl.” According to David Cross, [this will likely be the last we see of the Bluth family](... although, after [that mess of a New York Times interview]( maybe that’s really for the best. Regular coverage [Crazy Ex-Girlfriend]( (The CW, Friday, 9 p.m.) [Saturday Night Live]( (NBC, Saturday, 11:30 p.m.) Wild cards Love, Death + Robots (Netflix, Friday): This anthology of animated shorts might, at first glance, seem a strange project for [David Fincher]( and Deadpool director Tim Miller to have taken on, and it’s one that, in all of its marvelous, frenetic, visceral weirdness, certainly grabs our attention. The episodes will be animated by a series of different artists and span several genres, only connected, apparently, by common themes of love, death, and robots. It looks, in a word, wild, each short sounding even stranger than the last. To give you a sense of what we’re looking at, here are a few episode descriptions listed in the press release: - “Want to see Hitler die in a variety of comically fantastic ways? Now you can. Welcome to Multiversity!” - “A young couple moves into an apartment and finds a lost civilization inside their antique freezer.” - ”Unleashed by an archaeological dig, a bloodthirsty demon battles a team of mercenaries armed with... cats?” - “After scientists accidentally breed super-intelligent yogurt, it soon hungers for world domination.” You can sample these oddities, and others, in the show's thrillingly chaotic trailer. --------------------------------------------------------------- Turn Up Charlie (Netflix, Friday): We can’t guarantee that this comedy starring [real-life DJ Idris Elba]( will be good (TV editor Erik Adams said after watching a few screeners that it is, in fact, very bad). But [the very suggestion of People’s Sexiest Man Alive playing a struggling DJ-turned-manny]( does, at the very least, pique our interest. [Share]( [Tweet]( [Forward to Friend](mailto:) Copyright © 2019 Onion Inc., All rights reserved. Our mailing address is: 730 N Franklin St, 7th Floor, Chicago, IL 60654 [unsubscribe from this list]( [update subscription preferences](#)

Marketing emails from avclub.com

View More
Sent On

10/11/2019

Sent On

08/11/2019

Sent On

07/11/2019

Sent On

06/11/2019

Sent On

05/11/2019

Sent On

04/11/2019

Email Content Statistics

Subscribe Now

Subject Line Length

Data shows that subject lines with 6 to 10 words generated 21 percent higher open rate.

Subscribe Now

Average in this category

Subscribe Now

Number of Words

The more words in the content, the more time the user will need to spend reading. Get straight to the point with catchy short phrases and interesting photos and graphics.

Subscribe Now

Average in this category

Subscribe Now

Number of Images

More images or large images might cause the email to load slower. Aim for a balance of words and images.

Subscribe Now

Average in this category

Subscribe Now

Time to Read

Longer reading time requires more attention and patience from users. Aim for short phrases and catchy keywords.

Subscribe Now

Average in this category

Subscribe Now

Predicted open rate

Subscribe Now

Spam Score

Spam score is determined by a large number of checks performed on the content of the email. For the best delivery results, it is advised to lower your spam score as much as possible.

Subscribe Now

Flesch reading score

Flesch reading score measures how complex a text is. The lower the score, the more difficult the text is to read. The Flesch readability score uses the average length of your sentences (measured by the number of words) and the average number of syllables per word in an equation to calculate the reading ease. Text with a very high Flesch reading ease score (about 100) is straightforward and easy to read, with short sentences and no words of more than two syllables. Usually, a reading ease score of 60-70 is considered acceptable/normal for web copy.

Subscribe Now

Technologies

What powers this email? Every email we receive is parsed to determine the sending ESP and any additional email technologies used.

Subscribe Now

Email Size (not include images)

Font Used

No. Font Name
Subscribe Now

Copyright © 2019–2025 SimilarMail.