The Year in Exhibitions

Here's the best of what we saw in 2023 + How an Intergenerational Cohort of Artists at an Icelandic Biennial Grappled with Notions of Darkness, An Extremely Intelligent Lava Lamp: Refik Anadol’s A.I. Art Extravaganza at MoMA Is Fun, Just Don’t Think About It Too Hard, Counterpublic’s 2023 Exhibition in St. Louis Shakes Up the Formulaic—and Often Problematic—Shape of American Triennials [artnet]( Morning News December 25, 2023 [The Big-Budget Sharjah Biennial Tackles Postcolonial Fallout With Beauty, Sentimentality, and a Sense of Triumph]( [Reviews]( [The Big-Budget Sharjah Biennial Tackles Postcolonial Fallout With Beauty, Sentimentality, and a Sense of Triumph]( By Janelle Zara [How an Intergenerational Cohort of Artists at an Icelandic Biennial Grappled with Notions of Darkness]( [Reviews]( [How an Intergenerational Cohort of Artists at an Icelandic Biennial Grappled with Notions of Darkness]( By Elizabeth Fullerton [A Major Isa Genzken Retrospective in Berlin Brings a Rare Clarity to What Makes Her Ever-Difficult Art So Vital]( [Reviews]( [A Major Isa Genzken Retrospective in Berlin Brings a Rare Clarity to What Makes Her Ever-Difficult Art So Vital]( By Kate Brown [Counterpublic’s 2023 Exhibition in St. Louis Shakes Up the Formulaic—and Often Problematic—Shape of American Triennials]( [On View]( [Counterpublic’s 2023 Exhibition in St. Louis Shakes Up the Formulaic—and Often Problematic—Shape of American Triennials]( By Taylor Dafoe [An Extremely Intelligent Lava Lamp: Refik Anadol’s A.I. Art Extravaganza at MoMA Is Fun, Just Don’t Think About It Too Hard]( [Reviews]( [An Extremely Intelligent Lava Lamp: Refik Anadol’s A.I. Art Extravaganza at MoMA Is Fun, Just Don’t Think About It Too Hard]( By Ben Davis [How Paris’s Once-in-a-Lifetime Mark Rothko Exhibition Changes the Way We See His Revered Paintings]( [Shows & Exhibitions]( [How Paris’s Once-in-a-Lifetime Mark Rothko Exhibition Changes the Way We See His Revered Paintings]( By Naomi Rea [How the Many Dilemmas of Hannah Gadsby’s Anti-Picasso Show Feed Our Contemporary Cultural Doom Loop]( [Art Criticism]( [How the Many Dilemmas of Hannah Gadsby’s Anti-Picasso Show Feed Our Contemporary Cultural Doom Loop]( By Ben Davis [The Brooklyn Museum’s Much-Criticized ‘It’s Pablo-matic’ Show Is Actually Weirdly at War With Itself Over Hannah Gadsby’s Art History]( [Art Criticism]( [The Brooklyn Museum’s Much-Criticized ‘It’s Pablo-matic’ Show Is Actually Weirdly at War With Itself Over Hannah Gadsby’s Art History]( By Ben Davis [I Went Searching for Vermeer in the Dutch Master’s Home City of Delft. Here’s What I Found]( [Shows & Exhibitions]( [I Went Searching for Vermeer in the Dutch Master’s Home City of Delft. Here’s What I Found]( By Vivienne Chow [Join Artnet News Pro [→]]( Marketplace Artnet Auctions: [NASA]( Apollo 8, Crew's View of Earth On Their Way To The Moon (Vintage Oversize Photograph), 1969 Artnet Auctions: [Robert Rauschenberg]( Tampa 11 (from Made in Tampa), 1972 Artnet Galleries: [Tatum Art Advisory]( Dan Rizzie, Charles Jones, 2019 Artnet Galleries: [Borghi Fine Art]( Marjorie Virginia Strider, Leave you hat, 2011 Artnet Galleries: [Yield Gallery]( Jean-Michel Basquiat, Cabeza, 1982 Artnet Galleries: [Alan Wheatley Art]( Peter Phillips, Untitled, 1971 [Live on Auctions [→]]( [Live on Galleries [→]]( . Follow us [ig]( [fb]( [tw]( This email was sent to {EMAIL} by Artnet Worldwide Corporation. 373 Park Avenue South, 5th Floor, New York, NY, 10016, USA [Unsubscribe]( from this list, [register]( to receive artnet newsletters, or [update]( your profile. For more information, please contact us at info@artnet.com. [Terms]( [Privacy]( [FAQ]( Having trouble viewing this email? [Click here](.